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For example, there’s a scene where Shoko’s mother slaps Shoya. In a movie, the time goes as the film goes. “With a manga, readers can read at their own pace. Yamada conceded there were many difficulties in adapting the manga as a film. Their behaviour, their ideas could give people a clue about who Shoko is and why she behaves as she does. However, as a filmmaker, I couldn’t not put in things… So, I used the point of view of Yuzuru or Shoko’s mother or grandmother. Yamada said, “One of the things I discussed with Oima was that, ‘It’s the story of Shoya, so don’t deal with anything that he can’t see and understand.’ If Shoya can’t understand why Shoko is behaving this way or that way, then we don’t deal with that. Older and guilt-ridden, the teen Shoya tentatively tries to form a friendship with his former victim, though he’s always unsure what Shoko really feels about their renewed acquaintance. The young Shoya bullies Shoko because he can’t understand her. “I think the whole theme of the film is about communication, understanding and not understanding,” said Yamada. Understanding is central to A Silent Voice. I wanted to put in some positive aspects there are happy moments in everyone.”īut even so, I persisted, wasn’t A Silent Voice a new direction for Kyoto Animation? Again, though, Yamada didn’t see it that way, suggesting A Silent Voice wasn’t so different from K-ON! “They’re different things, but the basic concepts I was thinking of when I made both are the human spirit, love, emotions and understanding.” I think many people can empathise with the dark thoughts, the seriousness, but I didn’t want the audience to be drawn into that negativity.

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Yes, it is a serious movie we deal with bullying and dark thoughts, but that’s not the whole theme of the film. At the time, I was struck by the apparent contrast between the film and Yamada’s much cheerier earlier series, especially K-ON! However, when I asked if Yamada thought it was a new kind of film, she said no. I interviewed Yamada in 2017, when A Silent Voice was having a limited cinema release in Britain. She also helmed individual episodes of Clannad, Hyouka and Miss Kobayshi’s Dragon Maid.

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Years before K-ON!, she was animating on Kyoto Animation’s Full Metal Panic! The Second Raid, followed by stints on Air, Kanon, Clannad, The Melancholy of Haruhi Suzumiya and Lucky Star. It’s wrong, though, to think of Yamada as just a director she also has a huge number of animation credits. However, Yoshida did come onboard for the Liz and the Blue Bird film.

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The exception is the Sound! Euphonium TV series, which was scripted by Jukki Hanada (also lead writer on the Steins Gate anime). “I feel like she is a mum to me,” Yamada said when I interviewed her. On nearly all of these anime, Yamada has had a constant collaborator, the prolific screenwriter Reiko Yoshida. As for Liz and the Blue Bird in 2018, this is technically a spinoff from Sound! Euphonium, though it’s also very much a self-contained piece that you can watchperfectly well on its own. Yamada also directed Tamako Love Story, the 2014 big-screen sequel to Tamako Market.

Her other cinema films are linked to her TV series, starting with her 2011 film of K-ON!, which memorably took the loveable girl musicians to London, and as she told crowds in Scotland, introduced them to the phenomenon of dog-poo bins. Both groups are a bit awkward with recruitment so it’s best to watch to find out! 1.Of her cinema works, Yamada is most famous for 2016’s A Silent Voice.

While Riki and Kyousuke try to recruit other members Tomoya and Nagisa are also trying to get members to join the Theater Guild. Also, the idea of forming a club is also present in both series. While Tomoya has to gather spheres of light from people he helps in order to save Nagisa and his daughter Ushio, Riki and the Little Busters have to complete certain tasks in order to learn the secrets of the world. Little Busters! is another Key Visual Novel, so they work in a similar way. One day Rin Natsume (the only female at the start) finds a letter requesting the Little Busters to uncover the “secrets of this world” by completing certain tasks. With only 5 members he tasked Riki to recruit new ones. During their final year in High School, Kyousuke wants to form a baseball team with his current members. They form a group called “Little Busters” that is dedicated to fighting evil and preserving justice while doing some operations, pranks and challenges. Riki Naoe who is diagnosed with narcolepsy is recruited by Kyousuke Natsume.